Category Archives: clips

Caching and Texting and Listening and Reading in 2012

Happy new year!

I kicked off 2012 with a new post at DMLcentral detailing some of my findings regarding in-school use of mobile devices. As I plod ever closer to finishing my dissertation, I am excited about the possibilities of expanding this research in the coming months. I should have updates related to this that I can share soon.

In the meantime, I realized I didn’t mention my upcoming work with Global Kids Inc. In partnership with the Brooklyn Library, a grant from the HIVE Digital Media Learning Fund supports a program and research to look at the potential for geocaching to increase youth awareness of civic issues. The research I will be doing on civic geocaching  is conducted through a partnership with the Civic Engagement Research Group at Mills College.

 

Another year in reading and listening is starting off strong:

Colin Stetson’s album from last year has been the constant and uneasy pulse to my writing activities this week. It is also a fitting soundtrack to this fantastic interview with Laurie Anderson (who guest’s on Stetson’s album).

I also just turned the last page of The Marriage Plot and appreciated the intimacy of the book in contrast with the sweeping grandeur of Middlesex. It is also a fitting prelude to the imminent release of John Green’s The Fault in Our Stars (both books feature the same, iconic book designer).

Finally, I would be remiss to note that my recent summation of 2011 in reading failed to mention Anders Nilsen’s Big Questions. Reading the installments of this graphic novel as they were slowly released over the past seven or eight years, it is startling how complete Nilsen’s vision of the narrative was at the beginning of the project. It is also a fitting introduction into the graphic novel genre for anyone looking to start reading comics (here’s a really good review from Douglas Wolk).

Beyond Failure

My new post for DMLcentral focuses on the way storytelling in education can move past traditional constructs of failure in schools. Also at play, here is an inquiry into language systems as they define self and place in schools. For this post, this deals only briefly with the word “disruption” and this is something I’ve written about previously when taking issue with the phrasing “new media.” I’ve been reviewing some of this writing and fret occasionally at the dewy optimism that the posts suggest. While I’m hopeful and see these ideas sketched out as realistic and feasible, I by no means hope that they convey this work as easy. The kinds of shifts in disposition within and about education that my DMLcentral posts suggest require ongoing and critical support from all stakeholders within global educational ecologies.

NCTE & PSC Catch Up

The world of schooling and writing deadlines has gotten in the way of regular updates.

The NCTE conference in Chicago was a busy one for me. In addition to presentations I also:

  • waited in line at Frontera
  • caught up with friends
  • met Nicholas Sparks 
  • went on an architectural boat tour of the city (it was cold)
  • saw security break up a short lived Occupy NCTE:
  • went geocaching
  • watched nine consecutive episodes of Auction Hunters (Since we don’t have cable, Ally and I made the most of it while at the Marriott)

I also did a follow-up discussion on the role of fair use and Open Educational Resources on last week’s Teachers Teaching Teachers. You can tune into the archived show here.

Friday, November 18 was also a significant milestone for the Schools for Community Action. We submitted lengthy design plans to operate the four small schools that will make up the Augustus Hawkins Learning Complex that will ultimately relieve Manual Arts in the fall of 2012.

Along with a few colleagues I am honored to work with, I have helped design the proposed Critical Design and Gaming School (C:\DAGS).

Related to this, there are significant events within LAUSD that are noteworthy. However, to discuss the asinine competition involved for this school site, the importance of a recent district-union agreement, or to talk about the next steps of our work would spill into a lengthy discussion that I hope to more carefully articulate in upcoming posts. For now, know that C:\DAGS and our amazing sister schools (Community Health Advocates School; School of Urban Sustainability and Environmental Science; and Responsible Indigenous Social Entrepreneurship) are gaining traction.

DML 2012 Countdown

My conversation with Howard Rheingold is up over at DMLcentral. [Embedding below as well]

A little less than a month until conference proposals are due. I’m really hoping more teachers will participate this year. Feel free to tweet me if you want to talk through your presentation ideas.

(apologizing in advance for being a bit stuffy during the interview.)

Seeing the Classroom as a Hub of Technology-enabled Social Change from DML Research Hub on Vimeo.

 

Talkin’ Digital Is on DMLcentral

 

My recent DMLcentral post focuses on the National Writing Project’s Digital Is site. I’ve been excited about the increased engagement with this community of educators recently and I am encouraging teachers of all disciplines and ages to consider participating within the Digital Is community.

Cliff, my colleague at UCLA, and I are currently working on several collections for Digital Is (as pictured above). I’m looking forward to sharing some of the ideas we’ve been developing in the near future.

Multiliteracies: Thinking “Beyond New London” (at DMLcentral)

My latest post at DMLcentral is about the future of literacy research. I am interested in collaborating with other stakeholders around the question of how are literacies shifting currently. Though the text is cross-posted below, please consider commenting over at DMLcentral to continue this conversation.

 

Multiliteracies is an area of interest for me and my classroom, and I am hoping to use this post for dialogue and collective theory-building. But first, I want to talk briefly about being a book geek. As an English teacher, I am passionate about literature. During my first two years in the classroom I overextended myself by maintaining an evening and weekend job assistant managing a popular independent bookstore in Los Angeles.

Passion, Teaching, and Literacy

The pay was paltry and secondary to the opportunity I had at first dibs for advanced readers’ copies of works by my favorite novelists – not to mention engagement with local literati, and the opportunity to discover personal favorites through customer recommendations, fellow employees, and random books falling on my head while shelving the particularly tall bookcases.

I’ve written elsewhere why this kind of passion is a key component to successfully engaging students. Passion is contagious; it was my bookstore co-worker, Nancy, enthusiastically talking about the growing complexities of J.K. Rowling’s work that eventually compelled me to bother breaking the spine and entering the world of Hogwarts.

All of this is to say that I’ve become interested, now as an educator and researcher, into the changing and fluid world of literacy development.

Multiliteracies and Thinking about Literacy beyond 2011

As a 21st century teacher, the work of the New London Group – their conceptualization ofmultiliteracies – is not only a breath of fresh air, but it also liberates my approach to English Language Arts instruction when I guide the learning needs of my ninth graders.

Briefly, the major principles of a multiliteracies framework relate to how technology is fundamentally changing the ways people are communicating: It is  bringing people into closer proximity to one another, and the forms of communication in which people engage are multimodal, meaning that they incorporate word, image, video and sound.

And so it was at this year’s American Education Research Association conference last April that I eagerly joined a crowded room to see many members of the New London Group speak in a session titled “Beyond New London: Literacy, Learning and the Design of Social Futures.” And while I was excited about the potential of this session, I left feeling that the researchers, for the most part, didn’t talk about what is happening in literacy development, nor did they update the concept of multiliteracies or point toward reasonable responses to this work.

My interest is, where is literacy heading? What are the implications for the students in my classroom and the literacy achievement gap in general?

Literacies are multitudinous and text is a fluid concept that moves beyond the printed page. This much educators and researchers are generally accepting in this day and age (thank you, New London).

However, in 1996, when “A Pedagogy of Multiliteracies: Designing Social Futures” was published, social networks were not a norm, Google did not yet exist (nor did YouTube, Wikipedia, etc.), and mobile media devices were owned and used by an exclusive and small sector of young people. In short, the work does not account for the significant ways young people are interactive and learning today.

I want to outline a few ideas about how I see literacy expanding today. These are initial thoughts and I hope we can engage in collective development around what you may think as well. There are three developments in literacy that are under-recognized in classrooms, in policy, and in empirical learning theory research:

1. Search, Query, and Interpretation

2. Conscious identity development

3. Online/Offline Hybridity and Spatial Interaction

Search, Query, and Interpretation

To effectively navigate, produce, and communicate within the participatory structures both online and offline, students today need to understand the ways that search functions. Black hat & white hat search optimization, for instance is an innately complicated idea that directly impacts what students see and interact with through online spaces. Likewise, the tenets of something like Google’s search algorithm dictate what students are allowed to “find.” In this instance, seemingly ubiquitous engines like Google and Bing act as gatekeepers for counternarratives that are published online but suppressed by a page’s ranking. Douglas Rushkoff’s warning, Program or be Programmed, paves the away for thinking about how students need to be equipped to not only understand why they are seeing the products online when they search academically and recreationally, but also to think about how students can develop search tools for themselves – these computational and programming literacies are going to be the second language acquisition tools students will need to master.

Conscious identity development

Related to interpreting and understanding search-like tools, it is necessary for young people to recognize the way students read and view texts online reifies specific hegemonic ways of being. As a quick example, if students search for images online of their community or a profession they aspire to work within, the images they see dictate an aggregate normative understanding; the narratives online of urban youth perpetuate stereotypes and students should be able to read these narratives critically. Likewise, when students develop and shape online personas inMMORPGs, social networks, and online discourse, they are consciously involved in personal (and sometimes collective) identity development. These literacy practices directly impact the images, words, videos, and other myriad media products that a larger and larger public sees and interprets vis-a-vis youth identity.

Online/Offline Hybridism and Spatial Interaction

Finally, and perhaps what most teachers are seeing within their classrooms, students are utilizing online tools to mediate predominantly offline relationships. When students are texting in my classroom or posting updates to their Facebook pages, they are doing so mainly to maintain a closeness to peers and friends are usually interacting with on a daily basis. Students mediate their day-to-day physical world decisions through online tools. This hybrid media interaction is a space that is becoming more and more persistent in classrooms. Asking a group of my 9th graders if they text or are on Facebook as frequently during lunch or after school, the students rolled their eyes incredulously: of course not – they are busy socializing with the friends they’ve been texting and communicating with when they were supposed to be silent reading in my classroom.

Collaborating Around a new Framework

Without the New London research and much that has since followed, this conversation would not be anchored within meaningful discourse. I am hoping for this to be the start of an ongoing formation of post-New London Theory building. I am interested in the space where this work can be done.

Fifteen years ago, when the authors of “A Pedagogy of Multiliteracies” met at the New London site, they purposely published their article in the Harvard Education Review without their names attached. Though the identity of the authors of the piece was not a conspiratorial secret, the gesture is significant. I am hoping those individuals interested in participating in shaping a renewed framework of multiliteracies can comment below and we can discuss an open space for this conversation to continue. Ultimately, I’d hope for a group of us to share this work’s developments in a future post & perhaps wherever else this work can directly impact classroom practices and research.

Thinking Through Literary Interconnectedness and Dissertation Format (Another Cheap Rehash: Sonic Nurse Album Review)

Working through analysis, I had a (brief and fleeting) moment of clarity in terms of structure of the dissertation and the opportunity to strengthen a literary reading of critical instantiations of student agency within the community. And while I’m still wading knee-deep into this theory building component of my dissertation, I was reminded of a bit of theoretical interconnections dealing with velocity and knot-tying I’ve written about in the past. I long ago linked back to this review dealing with the fleeting nature of the thrill in hunting the white elephant in popular culture. Below, I wax lengthily on the historical context and timelessness found in the continued output of Sonic Youth. (Review now updated with relevant links! Huzzah!)

 

Sonic Youth

Sonic Nurse

Geffen

By Antero Garcia 

It would be a simple and rather enticing affair to don the ubiquitous role of the Magister Ludi and play the ever-important Glass Bead Game with Sonic Youth, labeling, connecting, imbuing the band with the inner workings of the universe. And, I think, to a certain extent, the members of the band want us to play the game, to tinge the world an ecto-green with the noise yr witnessing on each record. We can play connect the dots and build the elaborate, if still unseen, spider web of connections between the band and every breathing, living, existing object in the world. There is a familiarity in each moment of this album, how are we to connect it? And to whom?

Immediately the first track echoes the charging, dismal feeling of “Hyperstation” from the awe-instilling Trilogy off of Daydream Nation. The off kilter riff, akin to the Mighty Mouse theme, harks that yes, Sonic Youth – the Sonic Youth you grew up with and fell in love with music by, that same Sonic Youth that stands in the face of all things conventional, that trumpet the outside and the unknown – is truly here to save the day. The same riff which felt utterly banal and sardonically hopeless as the band utters “Smashed-up against a car at three a.m. Kids just up for basketball, beat me in my head,” is now elevated to true heroics. We’re talking life and death, friends lost forever, growing up, being serious, 9/11. And it’s all purred lovingly by Ms. Kim Gordon. That the song is titled “Pattern Recognition” only further emphasizes the deliberate mimicry of the band’s past output.

Though “Pattern Recognition” is the most blatant nod to SY’s massive discontinuity, that sense of renewed vigor, it seems clear that the band was thrown back 15-20 years into their past the day two planes were jettisoned into the World Trade Center, across the street from the band’s office on Murray Street. This, artistically, is a deconstructed rupture. Though this is most clearly harked to on 2002’s stunning return to form, the post-9/11 American exterior is still a lurking presence on Sonic Nurse. We are still bruised as we listen and tenderly traversing toward the new musical terrain as the band takes its time to sift through the ashes and rubble and see what it can salvage of itself, what needs to be reinvented. If Murrary Street finds the band lost, in dispossession of itself, Sonic Nurse finds the quartet offering solace, searching for amenities, shelter, regrowth. Theirs is a record of reassurance and rekindling. By no stretch of the imagination am I labeling this as “happy,” but there is a sense of coming to accepting the past, of filing the last three years in a nearby folder for constant reference. This too becomes part of the familiar and interconnected world, and we again envelope ourselves with the fictitious role in Herman Hesse’s novel: there he is, the Magister Ludi, sliding the small pebble – completely unvictoriously as the Glass Bead Game is not one of wining or losing, but of maintaining balance, of keeping the world in check – into its slot next to the WTC, next to New York, and, in their own sense, nest to patriotism.

“Dripping Dream” opens swathed in a sea of feedback, it’s umbilical cord still tied to the band’s Glenn Branca-ian  past while simultaneously sucking on the teat of Washing Machine. Soon kicking into a traditional – snare on the 2s and 4s – ditty, this is Sonic Youth in a comforting niche. Slightly off-kilter from the mainstream, these are our music’s grandparents. They show us how to do it, and they do it well. So many bands would do well to learn the lessons being preached in such a song. Wilco, The Jicks, …And You Will Know Us By the Trail of Dead, Le Tigre, Yo La Tengo (who, with the husband/wife thing also going, have a lot in common with the charging forward band), Weird War, and dare I even look to more “upstanding” and “mainstream artists?” This is, perhaps, a good enough portrait to see just how far the tendrils of the band stretch, whom they have penetrated, which they claim as their own, and whom are thus in debt to the band.

Beads, beads, beads. The world is a series of knots, suggests one exhibit at the Museum of Jurassic Technology. Through Sonic Youth, we are reinterpreting, unraveling the ball of twine that distances you and I like frayed wire on the head of Shakespeare’s maiden. We are pulled apart, dissected, and labeled. We find identity in being separate, as alien as the concept may be.

The few disparate moments in Sonic Nurse, those that do not comply with the ethic of adhering to their past, the moments that feel unhinged from both the outside world and the insular warmth of Sonic Youth’s unseen omnipotence, fee almost like place holders for areas that are to be ventured in the future, placards that would read “coming soon” in the barren, cantankerous museum hall of our minds. Are you seeing the frayed ends of the devilish know? “Kim Gordon and the Arthur Doyle Hand Cream” (which made a previous appearance on a split record earlier this year as “Mariah Carey and the Arthur Doyle Hand Cream” … damn those fat wallets protecting Mariah’s good name!) is about as far as the band is willing to venture into the SYR-avant-garde the band quietly, independently releases. And even hear is a chorus, a verse, amid cacophony and grating noise this is still, unmistakably, a “song.” We can’t let our little chicks deviate too far from us, can we? While we’re here, discussing the rise of the Kim Gordon who can sing in a way that is actually listenable (at last!) (for once!), why not throw in some connections with the neophytes like the Yeah Yeah Yeahs and Peaches. I’m sure they wouldn’t mind. We’re all connected in here somewhere. Are you unraveling this knot like I am?

“It’s later than it seems,” the band warns on “Paper Cup Exit,” a building and tense song that wryly dares to remake a song that’s already been made before… new ears are listening. We are writing our own ending here, one that is continuing to be rewritten on the fly as we thrust forward, and parry to the left. [The end is coming soon now. Can you feel it? You’ve earned it. But, before you reach the concluding words in this rather long, uneventful treatise, I want to offer a bit of a warning. I intend to end with a quote from Sonic Youth that is not lifted from their last album. It’s going to be from an earlier album, one some would say is their most popular, others would say their best. I’m going to do this because – can you not see it by now? – the past and present and future have all commingled within the terms of Sonic Nurse. To look back we reach forward. Redeconstructionism gentrified, courtesy of Geffen Records for the unassuming time travelers at Best Buy and Amoeba Music. When I make this quote, I can say with a certain degree of confidence, I’m still quoting the present; by quoting a record from the ‘80s, I am directly quoting Sonic Nurse. My apologies for the lengthy interruption. On with the show.] Remember our past, connect it to the future, and with a massive power chord that’s improvised on the fly in a tuning that no one has yet invented, blow it away; a discarded kiss to everybody and nobody: “It’s an anthem in a vacuum in a hyperstation, daydreaming days in a daydream nation.”